The French Monk, the Quiet Swede, and the Golden Section

Author Details

Jeff Reuben

Journal Details

Published

Published: 5 May 2020 | Article Type :

Abstract

The Golden Section is a geometric ratio often touted for its aesthetically perfect proportions and its use as a design blueprint found in both nature and in iconic works of architecture throughout history. The Parthenon is often cited as the prototype par excellence of Golden Section architecture, though such assertions are not supported by empirical studies. Among twentieth century architects it is most commonly associated with Le Corbusier and his Modulor system. However, two of his lesser known contemporaries - Dom Paul Bellot, a Benedictine monk-architect, and Sigurd Lewerentz, an enigmatic Swede - also created works in which the Golden Section was applied, but with adjustments and in combination with other dimensions as part of unified systems of proportion. With much less fanfare, they show how the Golden Section can be applied in brick and mortar, but also reveal the limits of this divine proportion.

Keywords: Sigurd Lewerentz; Dom Paul Bellot; twentieth century architecture; chapels;The Parthenon; golden section / golden number / golden mean; proportion; proportional analysis; proportional systems; ratio; sequences.

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Copyright © Author(s) retain the copyright of this article.

Statistics

163 Views

362 Downloads

Volume & Issue

Article Type

How to Cite

Citation:

Jeff Reuben. (2020-05-05). "The French Monk, the Quiet Swede, and the Golden Section." *Volume 3*, 2, 21-29